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On a recent trip thru the Pocono Mountains I decided to stop at lewis lumber in Picture Rocks, PA. Turns out they had just received a delivery that included a wonderful selection of rough cut American Walnut slabs. I decided the time had come to try my hand at a bench or table in the style of George Nakashima.
I look care selecting the slab from about 20 beautiful pieces. I selected a 6 feet 4" long slab and tied it to roof of the jeep. In the studio I spent some time sketching my design based on the feel and look of the slab I selected. I decided to have it stand at 18".
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I wanted to try to produce 4 compound angle tenon legs out of Hickory. Before drilling holes into this beautiful piece of wood I recalled a joinery method used by Paul McCobb in the
1950's to secure a similar bench leg. Employing this method I made 4 mounting bases for my tenon legs. This allowed me to adjust the angle and placement of the legs prior to fastening and reduced the possibility of a misplaced hole or bad angle.
I marked the depth on each leg, cut the shoulder on the band saw and used a chisel to trim them round to the depth of my cut. In preparing the slab, I stripped the bark with steel wool and sanded the surface with 3 courses of paper 80, 120, 220. then mounted the legs and made some small length adjustments until it stood firm and level.
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One quintessential detail and ultimate challenge for me was to include a hand carved butterfly inlay over a split at one end of the plank. I considered purchasing a router jig to do this but decided at the last minute that the look achieved using a router was to mechanical, also I don't care for the template shapes provided in the kits, moreover I want this bench to show off my abilities not my router's.
The trick to making a clean and flush butterfly inlays is to first design and shape your hardwood inlay piece, I made a couple of sketches and produced one out of
soft wood just to get a feel for the size and look of my pattern.
I chose Ebony to make my butterfly because its very hard and will provide elegant contrast against the deep brown Walnut. I cut it out of a piece of Ebony stock on my band saw. position your stock so the butterfly's grain will intersect the repair. I'm careful to cut slightly outside the lines so can use a file to chase it up and create perfectly straight clean edges. I used a metal file to angle the sides inward slightly so that the footprint of the piece will be slightly smaller
than the top. Position the piece and trace its outline with a marking blade or scribe. Obviously this is a critical step - it cant move and the angle of your marking blade must be maintained all the way around the perimeter.
Cut out with a flat sharp chisel making sure to produce a flat bottom and straight vertical walls that are the same depth as your inlay material.
Apply some glue to the center of your piece and carefully
hammer it in using a board to protect the surface of your wood, clamp it and
let it dry for 12 hrs.
The next day I sand it flush and its done.
I used a 50/50 mix of Boiled Linseed oil and applied this liberally with a rag fully saturating the surface for 24 hrs. then applied liberal coats once a day for a week. The color of the wood became dark and even and the grain filled in beautifully. To produce a super smooth finish I wet sanded the surface with my last coat of oil and 400 grit sand paper. I finished the whole bench with oil based poly urethane and gave it a couple more passes with 400g and fin.
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This is so fabulous! Great job. You never cease to amaze with your talents. Love checking in from time to time. Keep it up!
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